A Trip to the Moon; with Georges Méliès
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The story goes that France reached the moon in 1902, several years before the United States. It is recorded in textbooks around the world that on July 16, 1969, the US succeeded in landing its spacecraft on the moon, defeating its rival Soviet Union in space warfare, and after exiting Apollo 11, Neil Armstrong was American. He hoisted the flag and announced the victory of capitalism over communism. What is interesting, though, is that a large number of students in our seminaries are still Egypt to deny this historical event, but even say that in 1969, no human has ever gone to the moon. Well, this conspiracy theory could still be digested by the US overthrowing the Soviet Union in missile-making, and Russia because it sent satellites into space in 1957, even a few years later. The unmanned spacecraft claimed to have landed on the moon, so American anxiety was natural. The US government had to move quickly.
In 1962, John F. Kennedy, the president of the United States, announced the irrevocable intent of the moon, which resulted in Neil Armstrong’s walk on the moon on July 16, 1969, and the phrase that he was told made it human. A small step is a big jump for the human race. American astronauts walking on the moon and the astonishing quality of available footage circulated in orbit, and even trying to broadcast this historic activity on the moon on a common, public TV set, also made it a little dubious. The theory became known that prominent director Stanley Kubrick shot him in a studio in London with a sophisticated camera provided by the US government. Where so many objections to the July 16, 1969 incident, the conspiracy theories, the Frenchman’s access to the moon in 1902, why the silence on the safe return? However, there is a 14-minute film about the incident. Yes, that is the point of fact, here is actually a French movie Le voyage dans la lune mentioning a trip to the moon, and importantly, as Neil Armstrong called access to the moon the essence of humanity. Well, this film also reached the height of cinema.
Poster of the Moon:
The history of the Friends movie is quite interesting and astonishing, and the most interesting aspect of it is that at any stage, no scientist or human being thought that he would invent something called film or cinema. It was only as a result of accidents, accidents, and failed experiments that humanity was slowly moving towards the cinema, which is in front of us today in a world of entertainment and entertainment and is one of the most powerful in the mediam, although she is not yet a hundred years old. What happened in the history of the film? When was the camera made? Whose effort was it? Who invented the role film? The answers to these questions are taken up until the next post, focusing on a trip to the moon, in which scientists traveling to the moon not only encounter the astronauts, but also taste them and return to Earth safely. The film was the result of a genius, a madman, Georges Méliés’s tireless work and, as previously stated, some accidents and accidents. George was a magician, not a real eye-deceiver, and played his art in Paris. He had great expertise in using Special Effects. Using the lights so that the audience in the theater feels like the snow is falling. Sometimes they create illusion of rain. You should know how much of a master he is in these tasks.
So one day Georges Méliés learned that the Lumiere Brothers had invented a unique machine, which allowed them to be projected onto screens or on the wall. It was the first of its kind. Thomas Edison (a businessman more than a scientist) based in the United States failed to do so despite his many efforts, and with the help of William Kennedy Dickson, he built a machine called the connectivity graph, which was soon used as Was about to become adorned. But the story of Sahibu, Thomas Edison and the Lumiere Brothers is so interesting that we should postpone it to a detailed article rather than a brief mention. Let’s look at Georges Méliés, who gets the news about the Lumiere Brothers’ machine cinematography. This machine had the amazing ability to record and project scenes.
Georges Méliéstra Stock:
When the Lumiere Brothers organized an exhibition of 10 short films for the Emperor of France on the evening of 1896 at a cafe in Paris, we had this incredible magician there. When Georges Méliés saw the cinematography, his heart began to explode. He thought, if I repeated it on the Magic Trucks stage, if it was recorded on such a machine, I would get silver. The budget will seem even lower, the hard work is also a quarter and the best result each time. Georges Méliés offered the Lumiere Brothers the asking price of this machine. But the two brothers refuse in a superficial manner and show George the way out. Georges Méliés was a madman. He inquired. It is reported that claims have been made in the US and Germany for the manufacture of such machines. He decided to meet the inventors of these machines. Although none of these machines were as sophisticated as the Lumiere Brothers’ Cinematograph, they found a type machine in Germany.
Now our beloved magician began recording and recording various scenes, his magic shows and his favorite things. Then one day an incident happened that changed the history of cinema. Georges Méliés was shooting at the Eiffel Tower. A horse carriage, women and some men were passing from the front. Suddenly the machine stopped working. He used the same method that he used to reboot the shutdown machines, yes, a few punches, a few kicks, and then suddenly George’s machine started working. When Georges Méliés returned to Movie Develop, he was shocked. Horses were flying in the air, men had their necks on their shoulders, and women were walking with satisfaction.
Georges Méliés was filled with curiosity. He understood that if 2 different films were combined and developed, the audience might be surprised. Some scenes can be created that the human eye has never experienced. Understand that he had figured out how to insert Special Effects in films. Georges Méliés had the ghost of filmmaking in his head. They started small experiments, bought a big, bright and expensive studio on the outskirts of Paris, called Star Studios, and the Star Film Company came into being. Then under the banner of this star movie, the film was inspired by the stories of Jules Verne’s famous novels From the Earth to the Moon and Around the Moon, which proved to be trendy in the field of cinema. George also became part of the cast of the movie and played 2 roles. He became one of the main characters of the film and the moon of the film became the same.
A movie scene:
There are many features, but one of the features is that through this film, the film of Narrative film came into being in the history of cinema, ie the story was added to the films. You know, it’s the art of storytelling that makes any creative activity an art. Artists, sculptors, dancers, writers or filmmakers add art to any of their creations, and then they gain art status. Georges Méliés did another amazing job. The films of that time used to be black and white. But that was not the case here. The film would have been black and white, but you could have hand painted different frames of the film, just like an artist. Because filmmaking became a madman for Georges Méliés, he had 22 employees in the studio who painted hand-painted on every frame of the film. Star Studios eventually went bankrupt due to a budget increase and several similar initiatives. Georges Méliés took to the street and the paralysis forced him to sell coffee at a Paris station.
Although the anonymity didn’t last long, some moviegoers found it. Discussed in the newspapers. Government attracted. He was awarded the highest civilian honor. In France, he emerged as a teacher, a genius, who was emerging from the First World War, but George Melissa, who first took the film to the moon, was now old and weak, and poverty and problems had broken him. The illness came and brought death along. On January 21, 1938, 76-year-old Georges Méliés took his last breath in the same city where he was born. It may not have been the image of Georges Méliés in Neil Armstrong’s mind when he stepped on the moon, but this magician had brought the scene to America about 70 years ago.
